Commentaries III: Salini

Salini is a collective of three poetic fragments anthologised in “Spandhikkunna Asthimadam” by Changampuzha Krishna Pillai. The arrangement of these poems itself is quite contrary to the notions of harmony, organic wholeness and chronological cohesion of modern norms of literariness. The date of composition of the first fragment is given as 20/11/1944, while that of the second one is 21-3-1935 and that of the final segment is 09-12-1944.
As far as I am concerned the third fragment in the collective really celebrates and reveals the nature and function of a lover’s desire for union with his beloved. Hence, the speaker says that even death is no impediment to make union with his lover. He observes that his body is made of five elemental forces and a day will come when his heart stops beating so as to be put in its grave for the worms to sore or burnt for the watery ashes in the pyre. Even then, he will not cease from seeking out union with the beloved. After the funeral, the elemental forces will be disintegrated and will make a return to the pit-log of elemental forces. Then it will start the process of making unison with the lover; it will come as water particle while she is taking bath, it will take the form of airy surge while she is fanning herself and when she is sleeping with a sweet smile on her lips, he will look onto that desirous sight through the incarnation of a skiey spirit and through the luminosity of the candelabra decorating the ceiling, he will again have the blissful union with her through the particles of light and finally, while she is treading the ground with her soft footsteps, he will fell her presence through the earthly disentanglement.     

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